Nothing good is going to come of this.
Flight 253 passenger: Sharp-dressed man aided terror suspect Umar Farouk Abdul Mutallab onto plane without passport
(MLive.com exclusive)
By Sheena Harrison | MLive.com
December 26, 2009, 2:22PM
According to witnesses, the suspect had a long beard and was driving a red 1937 Chevrolet coupe. Police forensic artists have released the following sketch: Full story »
You know that we’ve reached a new level of Sovietization when you’re treated to statements from the Transportation Security Administration claiming confusion to be all a part of the plan. If you’re confused then the terrorists will be confused too. Freedom’s last hope is that nobody knows what’s going on, and the subtext is that not establishing a protocol publicly allows the TSA to be “flexible.” Just remember that even in their flexibility, the organs never make mistakes.
Full story »
Earlier I had all kinds of nice things to say about our Super-Platinum LP recipients. So now let’s take a few minutes and enjoy a little video concert featuring these outstanding bands. Up first, this is Jets Overhead with “Heading for Nowhere.”
Full story »
In Part 1 we noted that 2009 had produced some really good music. In Part 2 we explained that the past year had given us some really great music. Today, though, we take an unprecedented step, because a few of the platinum-level releases from 2k9 were simply a cut above the rest, necessitating the creation of a Super-Platinum LP award. But that’s okay – if artists keep cranking out more exceptional music than we have categories to deal with, we’ll keep inventing new ways of honoring their efforts.
IAMX – Kingdom Of Welcome Addiction
Darkness? Yeah, Chris Corner knows a thing or two about darkness, and in Kingdom Of Welcome Addiction he’s kind enough to escort us through a blasted, perversely alluring landscape of addiction, lust, self-loathing, sexual degeneracy, spiritual poverty and alienation that’s about as dark as it gets. And the landscape is distinctly British in a way that recalls perhaps the greatest portrait of England ever painted, TS Eliot’s The Waste Land. Full story »