Give me one last dance
We’ll slide down the surface of things

You’re the real thing
Yeah the real thing
You’re the real thing
Even better than the real thing

I figured out a long time ago, even before I began encountering grad-level feminist critiques, that our media’s stylized construction and portrayal of female beauty was problematic. It’s bad enough that unattractive people don’t appear in movies, on TV or in magazines unless the narrative expressly requires someone unattractive, and sometimes even that isn’t enough. I mean, the star of Ugly Betty isn’t really ugly.

But it goes beyond this. Full Story »

I used to work with a HAL 9000. Back when I was at US West in the late ’90s we had a voice system into which we would record the day’s company news so that employees without Internet access could dial in and keep up with the latest events. As with any such system there was a dial-in sequence, buttons that had to be pressed in a certain order, etc.

One day, as I was working through the first stage of the sequence, our phone system apparently achieved sentience. For reasons that I still can’t explain, a decade later, and that nobody at the time had any clue about, the machine sort of … intuited what I was about to do. It performed an action or two that, put simply, it could not do. Full Story »

I recently had the pleasure of seeing “No Country For Old Men,” the Oscar-winning adaptation of Cormac McCarthy’s novel of a drug deal gone bad and how one man’s decision to take a case of stolen money leads to a meditation on fate, circumstance, and destiny. Of particular note was Javier Bardem’s portrayal of murderous hitman Anton Chigurh not only as the embodiment of pure evil, but as an avatar of capricious, merciless fate, striking down people left and right, with no regard for their circumstances. Full Story »

It’s fair to ask whether a college kid should have to wash dishes in the dining
hall to pay his tuition when his college has a billion dollars in the bank.

— Sen. Charles Grassley, R-Iowa, “the ranking Republican on the Senate committee that oversees tax policy, [who] has written to the nation’s 135 leading universities, asking them to explain what they do with their tax-free endowments“; according to The New York Times, “Last year a record 76 American colleges passed the $1 billion mark in total endowments”; March 18.

I liken N.C.L.B. to a mile race. Under N.C.L.B., students are tested rigorously every tenth of a mile. But nobody keeps track as to whether they cross the finish line.

— Bob Wise, a former West Virginia governor who is president of the Alliance for Excellent Education, a group that seeks to improve schools; according to The New York Times, “… many states use an inflated graduation rate for federal reporting requirements under the No Child Left Behind law and a different one at home. As a result, researchers say, federal figures obscure a dropout epidemic so severe that only about 70 percent of the one million American students who start ninth grade each year graduate four years later”; March 20.
Full Story »

Once is a film that deserves more, so much more. A truly independent effort built around music and characters whose authenticity simply bursts off the screen and fills your heart, this movie was so real in its violation of all things Hollywood that it was almost hard to watch. I kept waiting for the goddamned formula to kick in, and it never did, and the absence of the fix made me jittery. Shame on me. Full Story »

It’s official–the three-month writer’s strike has come to an end, with 92.5% of the Writer’s Guild of America (WGA) voting to get back to work after an agreement was struck between the WGA and the major studios that would (in theory) guarantee writers a larger percentage of revenue from shows broadcast or sold over the Internet–the chief sticking point that led to the strike in the first place. Full Story »

Last night my wife and I rented the Buster Keaton classic Steamboat Bill, Jr. She’d never seen anything by Keaton, but has heard me (and fellow Scrogue Jim Booth) talk about his particular genius.

One of the most remarkable talents America has ever produced, Keaton was an insanely gifted physical comedian who was able to communicate tremendous nuance even within the confines of the silent genre. A lot of actors through the years have gotten pretty accomplished at “deadpan,” but I’m not sure I’ve ever seen anybody who could match Keaton’s mastery of the stoneface. It’s amazing how much he can convey with seemingly zero expression.

He was also a pretty remarkable athlete. Full Story »